Ikane Studio Encre 5 Couleurs Bâtons d’encre, coffret (3 modèles)

Inkstick grinding set — calligraphy and ink wash painting

5 Colors
€34,00
€34,00
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Ikane Studio Encre 5 Couleurs Bâtons d’encre, coffret (3 modèles)
  • Ikane Studio Encre 5 Couleurs Bâtons d’encre, coffret (3 modèles)
  • Ikane Studio Encre Coffret de bâtons d’encre à broyer — calligraphie et lavis
  • Ikane Studio Encre 5 Couleurs Bâtons d’encre, coffret (3 modèles)
  • Ikane Studio Encre Coffret de bâtons d’encre à broyer — calligraphie et lavis
Inkstick grinding set — calligraphy and ink wash painting

Inkstick grinding set — calligraphy and ink wash painting

€34,00
€34,00
Variants

Grinding Ink Stick Set — to hand-prepare ink for calligraphy, washes, and ink painting.

Each stick is worked with a few drops of water on an ink stone. Grinding gradually releases the material and allows you to prepare only the necessary amount for the session.

The density is adjusted directly during preparation: prolonged grinding produces a more concentrated ink, while gradual dilution allows for transparent passages and multiple wash intensities.

Related Guide: Ink sticks, stones, papers, brushes & washes

To choose the stone, understand grinding, adapt the paper, and prepare various densities, consult the Ikane guide on solid ink and wash work.

Read the ink stick guide
Information

The sticks are slowly rubbed on the moistened surface of an ink stone. Friction gradually releases the pigments and forms a liquid preparation that can be used with a brush.

The amount of water, grinding time, and pressure applied determine the ink's behavior. A dense preparation is suitable for bold strokes and dark areas. A more diluted preparation allows for building nuances through successive washes.

The decorations on the sticks do not affect the grinding nor the ink's behavior on the paper.

Features
Type Solid grinding ink sticks
Preparation Grinding with water on an ink stone
Practices Calligraphy, washes, and ink painting
Possible Work Dilution, layering, and intensity variations
Compose your materials

To learn grinding

The 7.5 cm ink stone offers a compact surface for understanding the relationship between water, pressure, and grinding duration. Its size is suitable for beginners and short preparations.

To prepare a larger quantity

The natural ink stone with lid has an elongated grinding surface and a reservoir to keep the preparation available during the session.

To draw and vary pressure

The set of three calligraphy brushes allows alternating fine lines, wider passages, and load variations with the same ink preparation.

To observe ink diffusion

The artisanal Xuan paper made from plant fibers is available in untreated, semi-treated, and treated versions. Choose the finish according to the desired degree of diffusion and control.

To understand all materials

The Ikane guide on ink sticks, stones, papers, brushes, and washes explains how to combine each tool according to the preparation, paper, and desired result.

Preparation and Maintenance

Place a few drops of water on the stone, then rub the stick slowly, without pressing hard. Test the ink on a scrap of the same paper before starting to draw.

If the black is too pale, extend the grinding in short bursts. If the ink catches or becomes too thick, add one or two drops of water, mix, then test again.

After the session, wipe the wet side of the stick and let it dry before storing it. Rinse the stone with clear water, without detergent, then dry it with a clean cloth.

🤍 Ikane workshop tip

Start with very little water and first prepare a dense ink. Then take a small amount in a separate dish to gradually build your nuances. This way you will keep a concentrated reserve without diluting the entire preparation.

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