Watercolour
For transparent washes, gradual colour, light layers and work where the white of the paper remains visible.
Transparent · water-reactive · paperPAINTING GUIDE
These three paints do not behave in the same way. Watercolour relies on transparency and water, gouache gives a more opaque matte surface, and acrylic dries into a more permanent film.
Start with the result you want: transparent wash, flat opaque colour, fast layers, texture or easy reworking. The medium comes after that choice.
01 · CHOOSE THE PAINT
The name of the paint matters less than what you need it to do on the surface.
For transparent washes, gradual colour, light layers and work where the white of the paper remains visible.
Transparent · water-reactive · paperFor matte colour, flat shapes, opaque corrections and illustration. It can usually be reactivated with water.
Opaque · matte · reworkableFor fast layers, stronger surfaces, texture and work on prepared paper, board or canvas. Once dry, it does not reactivate like gouache.
Fast drying · layers · textureChoose watercolour if light passes through the colour, gouache if you want to cover what is underneath, and acrylic if you want successive layers that stay in place once dry.
02 · SUPPORTS
The same paint can behave very differently on watercolour paper, mixed-media paper or a prepared rigid surface.
Made for repeated contact with water. Useful for washes, gradients and transparent layers.
Useful when combining drawing, gouache, lighter acrylic applications and ink without using extremely wet washes.
Better suited to acrylic, texture and repeated layers. Check that the surface has been prepared when necessary.
Useful for colour tests, composition studies and small paintings. Check the paper before using large quantities of water.
03 · BRUSHES
One brush does not need to do everything. Three shapes already cover a large range of painting tasks.
For lines, small shapes, controlled washes and details. A fine point increases versatility.
For straight edges, flat areas, blocks of colour and broader acrylic or gouache marks.
For larger wet areas and broad transitions. It needs enough capacity to cover the area before an edge dries.
04 · WORKING METHOD
Many painting problems come from stopping in the middle of a wash, changing the mixture during a flat area or touching a layer before it is ready.
Mix the amount you need before covering a larger area.
Use a scrap of the same support to check opacity, dilution and drying.
For soft blending, work while the surface is compatible in moisture. For clean layers, let the previous passage dry.
Repeated brushing can lift pigment, reactivate gouache or disturb paper fibres.
05 · STARTER SETUP
Start with a few complementary tools rather than several versions of the same thing.
Paint, watercolour paper, one round brush, one broader brush, palette, two water containers and an absorbent cloth.
Gouache, resistant paper, round brush, flat brush, palette, water and cloth.
Acrylic paint, prepared support, flat and round brushes, palette, water and surface protection.
06 · FAQ
Browse drawing and painting materials, or continue with the guide dedicated to watercolour blooms and muddy colours.