Set of 7 flat nib pens — for working on Latin calligraphy, lettering, and variations in letter construction width.
The seven widths allow you to switch from fine lettering to large format titles without changing the type of tool. The flat nib produces wide or narrow strokes depending on its orientation on the paper.
The variation does not come from stronger pressure: it primarily relies on the holding angle, the direction of the gesture, and the chosen nib width.
Information
A flat nib has a straight writing edge. When held at a stable angle, it naturally creates an alternation between wide and finer strokes.
Small widths are suitable for compact alphabets, preparatory exercises, and details. Wider nibs allow for the construction of titles, initials, and compositions where the form of each letter must remain clearly visible.
To maintain a clean line, use relatively smooth and not very absorbent paper. Paper that is too fibrous or very porous can cause the ink to bleed and reduce the sharpness of the angles.
Features
Content 7 calligraphy pens
Nib shape Flat
Widths 2 mm, 3 mm, 4 mm, 5 mm, 7 mm, 9 mm and 11 mm
Nib material Stainless steel
Body Plastic and metal
Uses Latin calligraphy, lettering, titles and letter studies
Choosing nib width
2 and 3 mm — compact letters
These widths are suitable for small alphabets, regularity exercises, calligraphic annotations, and details.
4 and 5 mm — learning and common compositions
Their width makes contrasts easy to observe without requiring a very large surface. They are a good starting point for understanding nib orientation.
7, 9 and 11 mm — titles and large formats
These nibs produce wider bands, suitable for titles, initials, handwritten posters, and composition exercises.
Assembling your materials
For sharper outlines
The Xuan paper roll is available with a mica-treated finish. Its smoother surface further limits bleed and is more suitable for structured letters than the more absorbent version.
Use and care
🤍 Ikane workshop tip
Choose a single width and fill a page only with straight lines before forming letters. When the angle becomes regular, thick and thin strokes appear naturally, without increasing pressure.
