The line becomes wider
Liquid travels through the fibres. The paper may be absorbent, the mixture may contain a lot of water or the movement may be too slow.
INK · TROUBLESHOOTING
A line that becomes wider is not always caused by bad ink or bad paper. Too much liquid, an absorbent sheet, a heavily loaded brush, strong pressure or a slow movement can all produce a similar result.
Before changing materials, look at the mark itself: where does it widen, when does it happen, and what changes when you modify only one parameter?
01 · DIAGNOSIS
A widening line, feathered edge, dark starting spot and ink reaching the back of the sheet do not have exactly the same causes.
Liquid travels through the fibres. The paper may be absorbent, the mixture may contain a lot of water or the movement may be too slow.
Liquid spreads irregularly through the fibres. A heavily loaded brush or very absorbent paper can make this more visible.
The brush releases liquid while it remains still. This often happens when the tip touches the sheet before the stroke begins.
A large quantity of liquid has entered the sheet, or several wet passages were added before the previous one dried.
Does the problem happen with every test, or only with one brush, dilution or movement? If one small change alters the result, the paper is probably not the only cause.
02 · THE 5 VARIABLES
If paper, water, brush and speed all change together, you cannot identify what actually improved the mark.
An absorbent sheet pulls liquid rapidly into the fibres. The line widens sooner.
A diluted ink contains more liquid. A pale mixture can still wet the sheet considerably.
A brush can hold a large reserve without dripping and release more liquid than expected on first contact.
More pressure spreads the hairs and increases the contact area.
A slow movement keeps the tip on the same area for longer.
03 · QUICK TEST
Keep the same ink, brush and paper. Change only one condition for each line.
Draw exactly as usual. This becomes your reference.
Lightly unload the brush first. A cleaner edge indicates that the initial brush load was too high.
Move slightly faster while keeping a similar brush load.
Use lighter pressure and compare the width of the line.
04 · PAPER
The goal is not always to find the least absorbent paper. The useful paper is the one whose reaction matches the kind of mark you want.
A slower surface keeps liquid nearer the original line and makes precise contours easier.
Moderate absorption makes changes in dilution and brush load visible without immediately spreading every stroke.
A more absorbent sheet reacts quickly and makes differences in water and speed very visible.
Two papers with a similar weight can absorb ink very differently.
05 · CORRECTIONS
Most adjustments can be checked on a scrap sheet in a few strokes.
Use slightly less water, unload the brush, reduce pressure or increase movement speed.
Begin moving as soon as the tip touches the sheet.
Reduce the volume of liquid and let wet passages dry before adding another layer.
Stop rubbing the wet surface and let it dry.
Test a denser mixture on the same paper.
06 · FAQ
Continue with the ink materials guide or browse the IKANE ink selection.